The Gulf is teeming with contemporary art. While high-profile arrivals like February’s Art Basel Qatar and the upcoming Frieze Abu Dhabi grab the spotlight, neighbouring Saudi Arabia’s Diriyah Contemporary Art Biennale – closing on May 2 – has quietly matured into an established, home-grown platform now in its third edition.

The biennale in Diriyah, just outside Riyadh, is the result of Vision 2030, a major strategic pivot launched in 2016 by the Saudi government and Crown Prince Mohammed bin Salman with the intention of economically diversifying from oil dependency and cultivating soft power.
The Diriyah Biennale Foundation, which is responsible for both the Diriyah biennale and the Islamic Arts Biennale – which is held in alternate years in the port city of Jeddah – was set up to “contribute to long-term cultural infrastructure in Saudi Arabia and introduce new standards of experiencing culture”, according to its CEO, Aya Al-Bakree.

One example of the kingdom’s investment in art infrastructure is Diriyah’s JAX district – a former industrial area converted into a mini arts and design hub filled with artist studios, galleries, the Saudi Arabia Museum of Contemporary Art, and cafes and shops. It is also the venue of the Diriyah biennale, titled “In Interludes and Transitions”.

Diriyah Biennale Foundation CEO Aya Al-Bakree. Photo: courtesy of the Diriyah Biennale Foundation

This year’s event, led by co-artistic directors Sabih Ahmed and Nora Razian, features the work of more than 70 artists from across the world.

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